Target Margin Lab 2016 @ HERE Arts Center
Invited to be one of the four lead artists to approach The Iceman Cometh by Eugene O’Neill in new and radical ways. I conceived and directed an audio and live-action puppetry animation journey into the sobering minds of the wax figures who were once proud and ambivalent drunks at Harry Hope’s bar.
"Jeanette Oi-Suk Yew's consistently inventive Act IV, which combines puppetry and video with Merlin Whitehawk's startling, intense, even gymnastic live performance of Hickey's self-loathing confession." - NY Times by Laura Collins-Hughes
Review by The Huffington Post by Bess Rowen - The Iceman Experimenteth: Part III